Patriot by Harry Kresky

Today’s poem was written by Harry Kresky

Harry Kresky at National Conference 2017

 

Patriot

Me?
An urban Jew –
A radical iconoclast.

An American.
Who can’t bear to see his country torn apart
By those who abandon us in pursuit of gotcha gold.

 

I wrote this poem in to response to the goings on in Washington since Trump was elected.  While I’m no fan of our President, I see the concerted efforts of the CIA, the liberal media and the Democratic Party to undo the result of an election as a threat to our democracy. The poem is also posted on my blog: poemsforfriends.wordpress.com

Harry Kresky is counsel to IndependentVoting.org and one of the country’s leading experts on nonpartisan primary reform and the legal issues facing independent voters.

 

A poem by Peter White

I wrote this some years ago but it’s still relevant!”

 

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WHY I OCCUPY

Why I occupy
Let me tell you why
I am moved to really try
By a love force I cannot deny!

Every day I’m glad to be here
To see all the beauty and cheer
Unfortunately I can also see clear
And know that the End Game is near.

The Occupy movement gives me hope
That We the People will stop being a dope!
Humane change is possible if we cope
With politicians who are as slippery as soap.

The two Parties are a corrupt duopoly
They help the rich control their plutocracy
We cannot have a democracy
If more people are into a jockocracy!

The rich get richer and the poor get poorer
They get higher and mightier as we go lower.
Most elected Democrats and Republicans cower
To the ruling elite who have economic power.

We can teach the world to sing
In imperfect but loving harmony
With peace on earth being our symphony
Helping our neighbors in our community.

We each have a role to play
We have the freedom to have our say
We can live in the light and lead the way
To occupy our government and overcome some day!

Peter White is a long time activist in NH and a member of NH Independent Voters.

 

***

National Poetry Month 

At Politics for the People Continues

Do you have a favorite political poem that you would like to share? Is there an original poem you’ve written?  Please email me at cathy.stewart5@gmail.com with your suggestions for consideration.

A Poem by Dr. Fields

Today’s poem was written by Dr. Jessie Fields:

This is a poem I wrote in 2013 and was inspired to dedicate to a friend, Mary Fridley, who had just led a workshop on Love and Creativity.”

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Mary Fridley and Dr. Jessie Fields

Love and Friendship

Top notes sing, lift high and upright the fallen star

Of love and friendship wide, no meek prelude to hot embrace.

Romance praise of rhyme over rhyme far

Forever unceasing has not and never slackened the pace

Of violence, war and hate everywhere unwound.

Begin again, give what human life requires

To thrive in soul, health and beauty together bound

Workers, a community of people re-creating, a new becoming inspires.

Take down the old books, here is a muse to make

A new world. High history and love in the mad descending hours

Search and create all the ways a hard hand to shake

A cold eye to shine. Teach this love, it is ours.

Jump we humans quick to hate and no peace find

We forget our real preference is kind.

 

For Mary Fridley

July 13, 2013

 

~Dr. Jessie Fields is a physician practising in Harlem, a leader in the New York City Independence Clubs, and a board member of the All Stars Project and Open Primaries.

 

***

National Poetry Month 

At Politics for the People

Continues

Do you have a favorite political poem that you would like to share? Is there an original poem you’ve written?  Please email me at cathy.stewart5@gmail.com with your suggestions for consideration.

I, Too

MM at national conference

Michelle McCleary (second from left) with Danny Ortega (l); John Opdycke, President of Open Primaries; Kathy Fiess and Carrie Sackett at the National Conference of Independents, NYC, March 2017

Today’s selection was chosen for us by Michelle McCleary.

One of my favorite poems is Langston Hughes’  I, Too.  I love the simple defiance and hope of it.

***

2015-02-02-LangstonHughes

 

 

I, Too  

By Langston Hughes

I, too, sing America.

I am the darker brother
They send me to eat in the kitchen
When company comes.
But I laugh and eat well.
And grow strong

Tomorrow
I’ll be at the table
When company comes
Nobody’ll dare say to me
“Eat in the kitchen”
Then

Besides, they’ll see how beautiful I am
And be ashamed.

I, too am America.

 

***

National Poetry Month 

At Politics for the People

Continues

Do you have a favorite political poem that you would like to share? Is there an original poem you’ve written?  Please email me at cathy.stewart5@gmail.com with your suggestions for consideration.

From the Highline

Schenck-High-Line-Art-President-2016_10_10-DSC_8054

Zoe Leonard’s installation along the High Line, Manhattan. Photo: Timothy Schenck

June Hirsh sent us today’s selection– a poem written by the artist, Zoe Leonard.

Here is what June wrote about the poem:

I saw this poem as an installation posted on the side of a large brick wall on the High Line – it was weather beaten and all tattered. When I first read this poem, I was very touched and also disturbed.  Disturbed when it seems every regressive policy, every cut back, every attack on human rights, growing hunger, the abandonment of poor and working people – nationally and internationally – is being blamed on Trump and on the Republican Party. Then I saw this poem was dated 1992. Bi-partisan complicity – history and food for thought. The time is ripe–build the independent political movement! “

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***

National Poetry Month 

At Politics for the People

Continues

Do you have a favorite political poem that you would like to share? Is there an original poem you’ve written?  Please email me at cathy.stewart5@gmail.com with your suggestions for consideration.

Kindness by Naomi Shihab Nye

Today’s poem was sent to us by Kerry Malloy.

Real isn’t how you are made,’ said the Skin Horse. ‘It’s a thing that happens to you.’ – Margery Williams, The Velveteen Rabbit

It’s a difficult thing to say why you are drawn to a work of art. It is for me at least. What happens as a creative endeavor makes the long journey from inspiration, to actualization, and then somehow – finally – to and through another human being is a complicated magic. Explaining it always seems to fall short.
 
I like this poem.
 
I think because it holds my loss, my struggles, and my failures inside it but whispers back all the while that they are right and they are good.
 
They are worth it, the fabric of becoming.
Maybe I like it because it was given to me by a soft quiet woman who I very much adore.
I can’t be sure.
But whether in my pocket or my mind, I carry this with me often.

 

image (3)

Photo by Lee Jeffries

Kindness

Naomi Shihab Nye1952

Before you know what kindness really is

you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.

Before you learn the tender gravity of kindness
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.

Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.
Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to gaze at bread,
only kindness that raises its head
from the crowd of the world to say
It is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.

National Poetry Month 

At Politics for the People

Continues

Do you have a favorite political poem that you would like to share? Is there an original poem you have written?  Please email me at cathy.stewart5@gmail.com with your suggestions for consideration.  

 

brown girl dreaming by Jacqueline Woodson

I am a big fan of children’s literature.  So for our celebration of National Poetry Month, I wanted to recommend a wonderful book, a story told in poems. Brown Girl Dreaming is a memoir through a child’s eyes of growing up in the South, moving to Brooklyn as a young teenager from the 60’s into the 70’s.

Most of the poems are short, and they convey a deep sense of place, of history unfolding and childhood skipping away and staying.  They are poems I found myself wanting to savor and reread.

BrownGirlDreaming-4medals-300

Here is a short quote from Jacqueline Woodson about Brown Girl Dreaming:

Raised in South Carolina and New York, I always felt halfway home in each place. In these poems, I share what it was like to grow up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and my growing awareness of the Civil Rights movement.

It also reflects the joy of finding my voice through writing stories, despite the fact that I struggled with reading as a child. My love of stories inspired and stayed with me, creating the first sparks of the writer I was to become.

Below are three selections from the book, I hope they inspire you to get a copy.

the training

When my mother’s older cousin
and best friend, Dorothy,
comes with her children, they run off
saying they can’t understand
the way Hope, Dell and I speak.
Y’all go too fast, they say.And the words get all pushed together.They say they don’t feel like playing with us little kids. So they leave us
to walk the streets of Nicholtown when we can’t
leave the porch.
We watch them go, her
Cousin Dorothy say, Don’t you knuckleheads
get into trouble out there.
They we stay close to Cousin Dorothy, make believe
we’re not listening when she knows we are.
Laughing when she laughs, shaking our own heads
when she shakes
hers. You know how you have to get those trainings,
she says, and our mother nods. They
won’t let you sit at the counterswithout them. Have to know what to dowhen those people come at you.She has a small space between her teethlike my mother’s space, and Hope’s and Dell’s, too.
She is tall and dark-skinned,
beautiful and broad shouldered.
She wears gloves and dark-colored dresses made for her
by a seamstress in Charleston.

The trainings take place in the basements of churches
and the back rooms of stores,
on long car trips and anywhere else where people can
gather. They learn
how to change the South without violence,
how to not be moved
by the evil actions of others, how to walk slowly but
with deliberate steps.
How to sit at counters and be cursed at
without cursing back, have food and drinks poured
over them without standing up and hurting someone.
Even the teenagers
get trained to sit tall, not cry, swallow back fear.

But Lord, Cousin Dorothy says. Everybody has a line.
When I’m walking
up to that lunch counter and taking my seat,
I pray to God, don’t let
anybody spit on me.
I can be Sweet Dorothy
seven days a week, twenty-four hours a day
as long as nobody crosses that line. Because if they do,
this nonviolent movement

is over!

 

how to listen #7

Even the silence
has a story to tell you.
Just listen. Listen.

 

say it loud

My mother tells us the Black Panthers are doing
all kinds of stuff
to make the world a better place for Black children.

In Oakland, they started a free breakfast program
so that poor kids can have a meal
before starting their school day. Pancakes,
toast, eggs, fruit: we watch the kids eat happily,
sing songs about how proud they are
to be Black. We sing the song along with them
stand on the bases of lampposts and scream,
Say it loud: I’m Black and I’m proud untilmy mother hollers from the window,
Get down before you break your neck.

I don’t understand the revolution.
In Bushwick, there’s a street we can’t cross called
Wyckoff Avenue. White people live on the other side.
Once a boy from my block got beat up for walking
over there.
Once there were four white families on our block
but they all moved away except for the old lady
who lives by the tree. Some days, she brings out cookies
tells us stories of the old neighborhood when everyone
was German or Irish and even some Italians
down by Wilson Avenue.
All kinds of people, she says. And the cookies are too good for me to say,

Except us.

Everyone knows where they belong here.
It’s not Greenville

but it’s not diamond sidewalks either.

I still don’t know what it is
that would make people want to get along.

Maybe no one does.

Angela Davis smiles, gap-toothed and beautiful,
raises her fist in the air
says, Power to the people, looks out from the television

directly into my eyes.

 

National Poetry Month 

At Politics for the People

Continues

Do you have a favorite political poem that you would like to share? Is there an original poem you have written?  Please email me at cathy.stewart5@gmail.com with your suggestions for consideration.  

 

 

Beijing by Jan Wootten

 

 

 

I wrote this poem in Feb. 2008, after the NY Philharmonic’s historic concert at the newly opened Performing Arts Center in Beijing. The musician’s bus travelled through Tiananmen Square, past Mao’s tomb.

Tour bus hums through the empty square
shrouded in shadows
Mao’s crypt sits forlornly in the night.
Motionless among the delirious eruptions of Capital that criss-cross the skyline
he silently bears witness to a surreal mix of the forbidden city and equity markets.

(A sadness grips me knowing he lies alone.
I wonder if he turns over, shakes off his red cover,
if his rouged cheeks blush harder with the confusion and absurdity of the moment.)

By day, peasants from across the land wrap round and round his resting place
a simple people, hard working and humble
toiling for little, investing everything for a better future
they mingle in the mall with tourists from Omaha and Waco.

Tonight the people crowd into the tiny concert hall
a titanium space ship landed on Tiananmen
a beautiful, alien cultural machine settling in, beckoning with free tickets for all

Quiet men in sweaters and zippered jackets clap politely, then warming to the music, smile broadly;
small children wave at the stage,
the timpani’s energetic wands signal back a western hello.

later, bundled onto their tour bus, oboists, strings and percussion wind through cavernous, empty streets;
a young thin man in uniform presses against his epaulets, standing watch under a red star

And Mr. Mao, I imagine,
strains to the sounds of Ravel and Brahms
tapping out the syncopated rhythms of this strange leap forward.

Photo on 11-19-16 at 2.39 PM
Janet Wootten, a proud independent since 1972 — and a Fulani foot soldier since 1988, helping to advance the independent cause.

National Poetry Month At P4P

Our celebration of National Poetry Month kicks off April 1st.

We will be sharing poems submitted by P4P members across the country.

Do you have a favorite political poem or poet? Do you have an original political poem that you have written that you would like to share?  Send me a note at Cathy.stewart5@gmail.com to have your selection considered.

This is the official poster for National Poetry Month. This year’s artist is Maira Kalman.

Image result for high resolution image of national poetry month poster

 

Click here to visit the poster where each image links to a poem.

***

OUR NEXT SELECTION:

 RATF**KED:

The True Story Behind The Secret Plan To Steal America’s Democracy 

By David Daley

We will be kicking off this selection toward the end of the month.

Our conference call with the author will be on Sunday, June 4th at 7 pm EST.

 

 

 

Highlights of P4P Conversation with Lisa McGirr

McGirr Stewart Dyptich

On Sunday, April 3rd, 2016 the Politics for the People Book Club spent an hour in conversation with Lisa McGirr, a Professor of History at Harvard and author of the book club’s selection The War on Alcohol, Prohibition and the Rise of the American State.  I am sharing a few highlights below and you can listen to the entire conversation at the end of this post.

(Note: if the audio links do not appear in the email version of this post, just click on the email to come to the blog.)

Our first audio clip includes my introduction. Lisa shares her journey of writing this book, her research methodology, and what drew her to investigate prohibition. We discuss the strange bedfellows that found themselves supporting and then enforcing prohibition. We also touch on the electoral realignment that that took place after prohibition took effect, and discuss some of the lessons that were missed in prior examinations of the failure of prohibition. Listen to our fascinating start here:

goo.gl/x2MbSB

 

In this next clip Politics for the People, you will hear book club member Michelle McCleary share her emotional reaction to reading Lisa’s book and ask how the revelations Lisa came to in conducting her research impacted on her.

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Arizona P4P member Al Bell asks what Lisa hopes people will take from her book and how they might apply it’s lessons to the war on drugs. Lisa explains that supply side eradication strategies have failed in the past and are likely to do so again in the future, and gives us an alternative by focusing on harm reduction strategies. Hear their exchange below.

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Steve Richardson then delved further into the idea of law enforcement as social control and asked whether fear based government control was a phenomenon that pre-dated the prohibition movement or was it something entirely new? Lisa thinks it’s a bit of both, as you will hear in this clip:

goo.gl/69jAhz

New Hampshire P4P member Tiani Coleman touched on chapter 8 which focused on the repeal of prohibition. She raised the issue of government regulation, and quoted McGirr when she said that “by lining up in favor of repeal, opponents of reform saw a chance to turn back the clock.” How did they succeed and fail in that regard?  And what happens after the pandoras box that is the ‘newly muscular federal power’ has been opened?

 goo.gl/ZurBI7  

New Yorker Lou Hinman provides some thought provoking modern parallels he sees with governments enforcement of prohibition, and asks Lisa to reflect on the growth of the penal state since the repeal of prohibition. Listen here:

   goo.gl/YMvw8S

Closing out our Q&A session was New York Attorney and P4P member Harry Kresky.  He talked about the extent to which regulation is used to transform the movements and freedoms of particular segments of the population and makes analogies to modern social regulations such as New York City’s outlawing of over sized sugary drinks. Where does one draw the line between productive and destructive regulation? And who gets to define that?

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You can listen to the entirety of our fascinating call with Lisa McGirr below. It was a spirited, thought provoking and enlightening conversation and I hope you will enjoy it as much as we all did. Happy listening.

goo.gl/xME8VI

 

Stay Tuned

Celebrate National Poetry Month with Politics for the People

We will be hosting a lively exchange of our favorite political poems and some original poetry by our members as well.

NEXT SELECTION

 RATF**KED:

The True Story Behind The Secret Plan To Steal America’s Democracy 

By David Daley

We will be kicking off this selection in April.

Our conference call with the author will be on Sunday, June 4th at 7 pm EST.

 

 

 

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